Revitalize!, 2020.
Gelatin silver print toned in cobalt and iron, magnets. (200cm x 127cm)
Part of the Interdependant Artist Residency at Level Five
Paul Devaux straat 3 Rue Paul Devaux 1000 Brussels



Revitalize!, 2020.
Gelatin silver print toned in cobalt and iron, magnets. (200cm x 127cm)
Part of the Interdependant Artist Residency at Level Five
Paul Devaux straat 3 Rue Paul Devaux 1000 Brussels


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Le Chauffage (french for “The Heater”) is an artist-run publication based in Brussels. It is conceived as a cross-continental, community oriented platform. Bringing together the work and writing of artists / friends from different cities, Le Chauffage intends to spark discussions and fuel casual forms of critical discourse.
Editors: Emile Rubino and Felix Rapp
Co-Editor: Francesca Percival
Design: Francesca Percival and Felix Rapp
Issue one contributions by: Nathalie Du Pasquier, Talia Chetrit, Justine Kurland, Ragen Moss, Marisa Kriangwiwat Holmes, Hana Miletić—KIAD & Open Kamensko, Evi Olde Rikkert, Lucas Blalock, Sven Dehens, Christiane Blattmann, Sarah Cale, Timmy van Zoelen, Lyndsay Pomerantz, Michael Lachman, Perri MacKenzie, Sharona Franklin, Kevin Gallagher, Jack Burton, Almog Cohen & Chloe Seibert, Sophie Varin, Nils Alix-Tabeling, Laura Stellaci & Lena-Lotte Agger,  Ami Sangha, Kasper Bosmans, Dustin Brons, Jean-Baptiste Bernadet, Aaron Peck, Margarita Maximova, Alison Yip, Antonia Kuo, Ula Sickle and Dorota Jurczak.
Visit our website for more info & to purchase your copy!


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Hollow Ground, 2019.
Plaster relief (300cmx260cm)
Verso of the monumental staircase at the entry of deSingel
Desguinlei 25, 2018 Antwerp, Belgium

Hollow Ground, 2019.
Plaster relief (300cmx260cm)
Verso of the monumental staircase at the entry of deSingel
Desguinlei 25, 2018 Antwerp, Belgium

Hollow Ground, 2019.
Plaster relief (300cmx260cm)
Verso of the monumental staircase at the entry of deSingel
Desguinlei 25, 2018 Antwerp, Belgium

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Inklings of Old, 2019.
Five solid copper pendants (16cm x 50cm)
In Situ Atelier Garage
342 Dambruggestraat, 2060 Antwerp, Belgium

Inklings of Old, 2019.
Five solid copper pendants (16cm x 50cm)
In Situ Atelier Garage
342 Dambruggestraat, 2060 Antwerp, Belgium

Inklings of Old, 2019.
Five solid copper pendants (16cm x 50cm)
In Situ Atelier Garage
342 Dambruggestraat, 2060 Antwerp, Belgium

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Double Back, 2019
A curated curriculum for students who feel at odds with the program offered by the Royal Academy of Fine Arts Antwerp.
With contributions by: Alice Gorton, Amanda Crain, Ami Sangha, Daniel Garrod, Dylan Townley-Smith, Emile Rubino, Evi Olde Rikkert, Felix Rapp, Francesca Percival, Heide Hinrichs, Julia Dahee Hong, Justin Somjen, Marisa Kriangwiwat Holmes, Nick Geboers, Pablo Pineda Ballester, Sharona Franklin, Steffanie Ling and Vijai Patchineelam.

Double Back, 2019
A curated curriculum for students who feel at odds with the program offered by the Royal Academy of Fine Arts Antwerp.
With contributions by: Alice Gorton, Amanda Crain, Ami Sangha, Daniel Garrod, Dylan Townley-Smith, Emile Rubino, Evi Olde Rikkert, Felix Rapp, Francesca Percival, Heide Hinrichs, Julia Dahee Hong, Justin Somjen, Marisa Kriangwiwat Holmes, Nick Geboers, Pablo Pineda Ballester, Sharona Franklin, Steffanie Ling and Vijai Patchineelam.

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Fragments Found in the Garden pt.1, 2019.
Dirty bones unearthed by groundskeepers, worn cardboard Evian box, worn cardboard Evolve box (45cm x 30cm & 40cm x 20cm)
Discreetly installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.1, 2019.
Dirty bones unearthed by groundskeepers, worn cardboard Evian box, worn cardboard Evolve box (45cm x 30cm & 40cm x 20cm)
Discreetly installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.1, 2019.
Dirty bones unearthed by groundskeepers, worn cardboard Evian box, worn cardboard Evolve box (45cm x 30cm & 40cm x 20cm)
Discreetly installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.1, 2019.
Dirty bones unearthed by groundskeepers, worn cardboard Evian box, worn cardboard Evolve box (45cm x 30cm & 40cm x 20cm)
Discreetly installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.2, 2019.
Seven solid copper casts (variable sizes between 15cm - 30cm
Four Brussels Earth sand moulds, burnt (50cm x 25cm)
Plaster Relief (94cm x 100cm)
Descretely installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.2, 2019.
Seven solid copper casts (variable sizes between 15cm - 30cm
Four Brussels Earth sand moulds, burnt (50cm x 25cm)
Plaster Relief (94cm x 100cm)
Descretely installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.2, 2019.
Seven solid copper casts (variable sizes between 15cm - 30cm
Four Brussels Earth sand moulds, burnt (50cm x 25cm)
Plaster Relief (94cm x 100cm)
Descretely installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.2, 2019.
Seven solid copper casts (variable sizes between 15cm - 30cm
Four Brussels Earth sand moulds, burnt (50cm x 25cm)
Plaster Relief (94cm x 100cm)
Descretely installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.2, 2019.
Seven solid copper casts (variable sizes between 15cm - 30cm
Four Brussels Earth sand moulds, burnt (50cm x 25cm)
Plaster Relief (94cm x 100cm)
Descretely installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium


Fragments Found in the Garden pt.2, 2019.
Seven solid copper casts (variable sizes between 15cm - 30cm
Four Brussels Earth sand moulds, burnt (50cm x 25cm)
Plaster Relief (94cm x 100cm)
Descretely installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.2, 2019.
Seven solid copper casts (variable sizes between 15cm - 30cm
Four Brussels Earth sand moulds, burnt (50cm x 25cm)
Plaster Relief (94cm x 100cm)
Descretely installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.2, 2019.
Seven solid copper casts (variable sizes between 15cm - 30cm
Four Brussels Earth sand moulds, burnt (50cm x 25cm)
Plaster Relief (94cm x 100cm)
Descretely installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

Fragments Found in the Garden pt.2, 2019.
Seven solid copper casts (variable sizes between 15cm - 30cm
Four Brussels Earth sand moulds, burnt (50cm x 25cm)
Plaster Relief (94cm x 100cm)
Descretely installed in the boiler room of the Royal Academy of Fine Arts
Mutsaardstraat 31, 2000 Antwerp, Belgium

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Re- (Again and Again).
Master’s thesis academic year 2019. Supervised by Nico Dockx and Vijai Patchineelam. Published by Koninklijke Academie voor Schone Kunsten Antwerpen.
Click the above image to download the full PDF.

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Ouch! (Refrain), 2019.
Plaster Relief (280cm x 130cm)
Karl Marx’s Studio
23 rue de Lille, Paris, France

Ouch! (Refrain), 2019.
Plaster Relief (280cm x 130cm)
Karl Marx’s Studio
23 rue de Lille, Paris, France

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ISSUE 404, 2017.
ISSUE 404 magazine is a special edition installment of the original ISSUE Magazine, originally published from 1983 to 1985, subsequently revived between 2012-2014 by Brynn McNab, and again by Jamie Ward in late 2015, now existing as a rather intermittent “quarterly”. ISSUE 404 was initially intended as an extension of Patrik Andersson’s ‘AHIS 404: Art Now’ class at Emily Carr, and has since welcomed additional contributors. The 404 iteration of this magazine continues the project as an arts and culture magazine, reporting on the community through interviews, artworks, and written projects.

Edited and designed by guest editors Catherine de Montreuil, Felix Rapp and Marisa Kriangwiwat Holmes, with contributions by the editors, Adi Berardini, Olga Abeleva, Charlotte Yao, Patrik Andersson, Caitlyn Almond, Lyndsay Pomerantz, Ali Bosley, Julia Hong and more; with art and illustrations by Liz Saunders, Brody McKnight, Francesca Percival and William Dereume.

*

ISSUE is published by the Unit/Pitt Society for Art and Critical Awareness at Publication Studio Vancouver. Online content and back issues are available to view at www.issuemagazine.ca.

Launch at Publication Studio Vancouver / Selectors Records, 8 E Pender St, Vancouver, Canada. March 24, 2017.


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How Wise are these Teeth?, 2019.
Plaster Relief (300cm x 300cm)
Vaulted room of the In Situ Atelier
342 Dambruggestraat, 2060 Antwerp, Belgium

How Wise are these Teeth?, 2019.
Plaster Relief (300cm x 300cm)
Vaulted room of the In Situ Atelier
342 Dambruggestraat, 2060 Antwerp, Belgium

How Wise are these Teeth?, 2019.
Plaster Relief (300cm x 300cm)
Vaulted room of the In Situ Atelier
342 Dambruggestraat, 2060 Antwerp, Belgium

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Carry-On, 2018.
A curatorial project which brought together works by Vancouver artists who were asked to respond to the perimeters of a 23kg in-flight luggage allowance.
Part of a ten-day rotating curatorial project “Above & Below” at the Wintertuin in Antwerp, Belgium.

Carry-On, 2018.
A curatorial project which brought together works by Vancouver artists who were asked to respond to the perimeters of a 23kg in-flight luggage allowance.
Part of a ten-day rotating curatorial project “Above & Below” at the Wintertuin in Antwerp, Belgium.

Carry-On, 2018.
A curatorial project which brought together works by Vancouver artists who were asked to respond to the perimeters of a 23kg in-flight luggage allowance.
Part of a ten-day rotating curatorial project “Above & Below” at the Wintertuin in Antwerp, Belgium.

Carry-On, 2018.
A curatorial project which brought together works by Vancouver artists who were asked to respond to the perimeters of a 23kg in-flight luggage allowance.
Part of a ten-day rotating curatorial project “Above & Below” at the Wintertuin in Antwerp, Belgium.

Carry-On, 2018.
A curatorial project which brought together works by Vancouver artists who were asked to respond to the perimeters of a 23kg in-flight luggage allowance.
Part of a ten-day rotating curatorial project “Above & Below” at the Wintertuin in Antwerp, Belgium.

Carry-On, 2018.
A curatorial project which brought together works by Vancouver artists who were asked to respond to the perimeters of a 23kg in-flight luggage allowance.
Part of a ten-day rotating curatorial project “Above & Below” at the Wintertuin in Antwerp, Belgium.

Carry-On, 2018.
A curatorial project which brought together works by Vancouver artists who were asked to respond to the perimeters of a 23kg in-flight luggage allowance.
Part of a ten-day rotating curatorial project “Above & Below” at the Wintertuin in Antwerp, Belgium.


writing curatorial projects curatorial projects